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Growth: Indicating an increase in material, capital, size, number, mass, philosophy, personhood, complexity.
The artist and researcher Kathie Foley-Meyer joined curator Patrick J. Reed to discuss her creative practice and scholarship on ocean memory and the territoriality and temporality of Blackness.
Artist Tristan Duke photographs the Placerita Oil Field and the Tehachapi Wind Resource Area using lenses made from frozen drinking water. Fulcrum Arts’ Curator, Patrick J. Reed, goes along for the ride.
The following story unfolds with a cadence all its own. It rewards the curious yet meets the overeager with a measured wait and see.
Always the question remains as to why a publication is important. The answer is basic to this thing named Sequencing.
The tide line is a soft transition. Where capital meets the sea, it creates brittle structures, likely to shatter. The ocean’s edges may not be as fluid as they seem.
Inside this, another animal grows, then another, another. Eventually there are hundreds of thousands.
discomforting circularity turns in my stomach, thinking about Santa Monica’s full-circle from place of work to ‘workplace.’