- Generation
- Invisibility
- Networks
- Perception
- The Body
- Vibration
- Visualization
Fulcrum Arts’ Curator, Patrick J. Reed, went to Ars Electronica, where he met the Miami-based, Colombian composer and sound artist Alba Triana, and learned about the essence of everything. This installment marks the first in a series of profiles on artists working with vibration and the ways in which it shapes our world.
- Generation
- Growth
- Networks
- Perception
- Visualization
Always the question remains as to why a publication is important. The answer is basic to this thing named Sequencing.
- Fictions
- Growth
- Land and Sea
- Networks
- Perception
- The Body
Ohan Breiding
Shoghig Halajian
Inside this, another animal grows, then another, another. Eventually there are hundreds of thousands.
- Architecture
- Cosmology
- Fictions
- Invisibility
- Networks
- Perception
- Vibration
04/19/2018 i move back to Seoul during the season of Yellow Dust. my infrared camera begins glitching like the shaman herself
- Fictions
- Generation
- Networks
- System Failure
An NFT offers a generic something: some thing, neither here nor there, which exists in order to escape being worthless (a born loser). It escapes to the address it is given, and its value is held precisely there.
- Architecture
- Generation
- Networks
- Perception
- Visualization
Written as a kind of trip-report with a posthuman sensibility, Instance Terrain Spread describes experiences that would be incomprehensible in conventional spatial reality, but are easily understood when experienced in a virtual space.
- Architecture
- Land and Sea
- Networks
- Perception
- Vibration
On February 22nd, I walked from my house in Northeast Los Angeles to the ocean in Venice Beach. I recorded the nearly 9 hour, 20 mile walk along highways, under bridges, and through different neighborhoods with binaural in-ear microphones.
- Digging
- Extraction
- Land and Sea
- Networks
- The Body
- Visualization
In the fall of 2020, I began gathering samples for what I’ve termed an Anthropogenic Mineral Collection. These carbon-based minerals consist of human-mediated byproducts of geological intervention from the Industrial Revolution to the present. The majority of those in my collection are caused by industrial mining of valuable conductors, and have not been recorded elsewhere as natural occurrences.