TRISTAN DUKE: TRANSITIONAL LENSES
Patrick J. ReedArtist Tristan Duke photographs the Placerita Oil Field and the Tehachapi Wind Resource Area using lenses made from frozen drinking water. Fulcrum Arts’ Curator, Patrick J. Reed, goes along for the ride.
- Digging
- Extraction
- Generation
- Growth
- Invisibility
- Land and Sea
- Networks
- Perception
- System Failure
- Visualization
Everywhere’s A Center: A Conversation With Channing Hansen
Patrick J. ReedAt his Los Angeles studio, the artist Channing Hansen graciously hosted Fulcrum Arts curator Patrick J. Reed for a conversation about wool, the cosmos, weird topography (and more!), and how these elements come together in his complex, labor-intensive knitted artworks.
- Cosmology
- Generation
- Invisibility
- Networks
- Perception
- Visualization
Immediate Perception: A Conversation With Mo H. Zareei
Patrick J. ReedThe artist and musician Mo H. Zareei joined curator Patrick J. Reed to discuss formative creative influences and “audio-visually confrontational works” that have the power to elicit raw emotion.
(Photograph by Ted Whitaker.)
- Architecture
- Perception
- The Body
- Vibration
- Visualization
Alba Triana: Fundamental Insignia
Patrick J. ReedFulcrum Arts’ Curator, Patrick J. Reed, went to Ars Electronica, where he met the Miami-based, Colombian composer and sound artist Alba Triana, and learned about the essence of everything. This installment marks the first in a series of profiles on artists working with vibration and the ways in which it shapes our world.
- Generation
- Invisibility
- Networks
- Perception
- The Body
- Vibration
- Visualization